French Knots

This short video was made for a group some of whom are getting to grips with the delights of the much maligned French Knot for the first time. It is quite simple but some of them asked to be able to view it on-line.



019 from J Bowcutt on Vimeo.

I am researching a good tripod attachment for the ipad, not too expensive, so any suggestions would be appreciated.

Monoprint

I am not currently signed up for Design Matters TV  but no doubt I will join again in the future as I enjoy the stimulation of their weekly videos. I wanted to let you know that at the moment they have just added two extra free videos to advertise what they offer. The two new ones happen to be two of my favourites from past weeks, one is about monoprinting on fabric and the other is showing an easy way to wax papers. You may enjoy them. I was reminded of a technique for monoprinting designs onto fabric and had a go with my rabbit sketch.

I used a piece of fabric which had been dyed and one which I had rusted.

I then added some handwriting.

Playing around I added an extra rabbit to the photograph;this could now be transferred to fabric using TAP. 

Endless possibilities.

Knit and Stitch Show 2013

Last Friday I ventured to the Knit and Stitch Show at Alexander Palace, it involved a journey comprising of many buses, tubes and trains, and I must admit it all went smoothly in comparison with last year’s problems due to signalling breakdown. I hadn't planned to go this year, but like some groupie I could not resist going just to be in the presence of my current stitch idol Dorothy Caldwell.

 I joined her two hour Kantha workshop in the afternoon, and learned a good deal and had some nice chats with fellow textile enthusiasts.She has been involved with Indian young people producing contemporary Kantha work over the years, and this type of recycled textile work relates well to her aesthetic of repair/reconstruction, darning and mending. 

 There was a display of Dorothy Caldwell’s work made in response to the Australian outback and the Canadian Arctic  which was fascinating. 

The other highlights were the showcase of work by recent graduates; that of Jean LittleJohn and Jan Beaney and the work of James Huntley.

Really just too much to see and so little time (and not enough energy).

My journey paled into insignificance compared to that of Dale Rollerson and her husband who had come over from Australia to run their stand ‘The Thread Studio’ and for a holiday in Cornwall. It was good to say hello briefly to Dale, of Down-under Dale, who was extremely busy and doing good business. She has kindly asked me to write an article for the next issue of ‘ThreadInfusion’ which will be the third edition of her emag, which will be all about stitch, both hand and machine and is entitled ‘Stitchy Stitchy’.

A Walk in the Country

The theme on the Sketchbook Challenge Blog this month is animal companions, as we don’t have pets, other than tropical fish, I have focused on a photograph of a rabbit which I took recently, the poor thing had been partly eaten by predators, not such an unusual sight if you take a walk in the country.

 I drew in my sketchbook from the photograph and then used TAP to transfer both the image and those I had manipulated on the ipad onto fabric.

The straight forward stitched pieced using Bokhara Couching worked more successfully, whereas the other piece became more experimental.

 I machine stitched the outline of the two rabbits and then had the idea of cutting them out and placing them on quilt wadding prior to embellishing with wool and muslin. The piece was really distorted so I backed it with acrylic felt before further embellishing, free machining and adding hand stitch.

 To retrieve what was becoming a failed experiment I then took the scissors to the back, slashed into the rabbit areas and stuffed them Trapunto style with wool tops. Makes me exhausted just writing it down. 

So it looks as if I am gradually being taken over by rabbits, for anyone who knows the comedy 'Father Ted' it reminds me of the episode where the same thing happens.

Tie-Dye book a Winner

The winner of a copy of Shabd Simon-Alexander's book 'Tie-Dye' is:
Sheila of 'TEA and TOAST.

She loves teal but is a bit shy of grey.

The replies were fascinating, and prompted quite a strong response.
For me, I like purples, lilacs and am not keen on yellow, but then combine a bit of purple and yellow and that is something zingy!

Tent London

Last Friday I found the energy to go up to London to see Tent London, part of Design Week. There were a number of pop-ups and exhibitions throughout the city but I concentrated on this one exhibition which comprised both Super Brands downstairs and new designers, including student work, on the upper floor.

One of the first displays which literally caught my attention with an explosion of colour was the ‘Banish Beige’ display by parriswakefield. They have been working with a charity for young people called ‘Outof the Dark’, which gives new life to lots of the old brown furniture which used to be thrown away but which is now often donated to be Up-cycled.

I admired the creativity of Jess Shaw, here she had woven a willow frame and covered it with ‘old man’s beard’ to make a lamp shade.

There seemed to be a vogue for furniture which rocks, swings and spins.

I spoke to a young woman from the Tartu Art College in Estonia and even tried out the green upholstered chair with a hole in the centre; I didn't fall through but probably liked the fabric better than the chair design.

There were young designers brave enough to be working in virtual studios, and these included Rebecca Robertson a recent graduate in embroidery for fashion. The most beautiful work was that by Lou Gardiner who was showing digitally printed floor cushions and quilts; some of these had the most intricate stitching and beading. The one I most coveted was in dark sumptuous colours in highly stroke able velvet. Take a look, she has a blog.

I saw the Crafted in Kyoto stand where a skilled craftsman was weaving a bamboo ‘stool’, I walked round the display of beautifully crafted products from Ireland, and saw the extremely boring display of Women of Iceland in the Olympus Image Space. There was just too much to take in and remember, but I am hanging onto the Maroc Tribal card, as I really would love to buy myself one of their vintage Moroccan carpets.

 Lunch was at Rosa’s Café, like me you may think this was a traditional café but once inside I realized it was a Thai Café, but based on a traditional café, with mint tea served in a red spotted teapot and fish cakes in an enamel bowl but with lovely carved carrot leaves as decoration. There were many street food stands but I didn't find them until later, and by then a strawberry milk shake in Spitalfield’s Market fitted the bill. I managed to find a bus back to the South Bank and stuck in a traffic queue I had a great view up the Pinnacle which is just being completed.

And so home,not by boat, just a train.

Thoughts on Colour

My favourite cheer-me-up colour is zingy lime green. I hate all other green, for me green belongs outside, nature does it so well, but I can't be miserable with lime green in eyesight :)

 Butter yellow is a favourite. I'm not real keen on the olive green camouflage colours but... ;) ;)

My favourite colour is blue in practically all its hues. I usually choose dark blue to wear and lighter, greenish tones to work with. Aren't all colours fascinating though?

Olive and pea greens have been my faves for a long time. I love that everything seems to work with them. Pink is my least fave colour although I have printed paper with pinks earlier this year and rather liked it that way. I don't think I've worn pink since...ah yes, my pink phase in the mid-1980s.

I love green - all shades!! My least favourite would be brown, despite the fact I'm wearing a brown jumper at the moment!

I used to avoid yellow but now I am drawn to it. It has gone from worst to best in quite a short space of time.

I love ashes of roses pink but really dislike black, I find it so hard to sew with.

No matter how hard I try I always end up using blues, greens , purple when dyeing. I never go for reds or orange

I love muted tones like washed out blues, faded browns, and quiet greys. I tend to shy away from forest greens and burgundies.

Chartreuse is probably my favorite, but periwinkle is so close, it's hard to choose one. I avoid pink.

My favourite colour is teal and I tend to shy away from grey.

See my post of Sept. 10th to be included in the draw for a copy of 'Tie Dye' written by Shabd Simon-Alexander.

Houses and Hideaways.

This month the Sketchbook Challenge Blog has a special theme of Houses and Hideaways and is linked to a blog hop; if you have hopped over from there, you are very welcome.

 One of my first exercises in white work was a picture of my house worked in Hardanger Stitch. I have to admit two things, one it is in fact a rather grand interpretation of my house, and it was the first and last time that I tried Hardanger. Having just been to the Norwegian Fjords I noticed we were in fact not too far from Hardanger where this type of embroidery was popular from 1650-1850.  If you like precise work you should give this a try as the results are satisfying.

In case you would like more details of what Hardanger embroidery is I have looked it up for you:-

Hardanger embroidery uses satin stitch blocks known as Kloster blocks, consisting of 5 parallel satin stitches, worked over a group of 4 x 4 ground threads. These blocks enclose areas of fabric where a number of warp and weft threads are cut and withdrawn, leaving a network of loose threads and large holes within the shape defined by the Kloster blocks. Various decorative filling stitches are then worked over the remaining loose threads and holes to create a lacy effect.

Some of the stitches and special techniques used are:

·        Simple satin stitch surface motifs, often resembling stars, ships, crescents and crosses.

·        Other decorative surface stitches such as fly stitch, running stitch, cable stitch and French knots.

·        Woven bars: weaving the needle over and under four threads until they are completely covered, and wrapped bars (overcast bars) where the thread is wound around groups of four threads.

·        Filling stitches resembling wheels, spider's webs and dove's eyes.

·        Picot: twisting the thread once round the needle before inserting the needle to produce a decorative loop.

·        Edging stitches such as four-sided stitch, buttonhole stitch and fancy hemstitching techniques for finishing items.

Another stitch project came from a stay in a flat right on the harbour front in Lyme Regis; it was so noisy but only because of the crashing waves.

 I brought back a postcard and made a small hanging loosely based on it.

 Some appliquéd and stencilled houses.

 The fragments of machine embroidery worked on dissolvable material are supposed to represent the houses going up into the hills and at the base are the waves worked in cords again on dissolvable material. 

 This is a view over The Cobb the setting for ‘The French Lieutenant’s Woman’; the film starred Meryl Streep who walked along The Cobb in the rain, very dangerous and probably done by a stunt man.

If you would like to follow along with the blog hop see my earlier post for a list of the participants.

Shabd Simon-Alexander Book GiveAway

This is a busy week with The Sketchbook Blog Hop and now a Blog Tour (is that more sophisticated). I was lucky enough recently to be able to read a review copy of Shabd Simon-Alexander’s book entitled ‘Tie-Dye'.  It is a beautifully presented book; the gorgeously illustrated cover looks so tactile that one could stroke it. Even if you are not tempted to try or retry tie-dye there is so much detailed information for anyone who enjoys surface design, practical information about dyeing and particularly about the use of colour, that I think you would enjoy this new book. Living in New York, Shabd has a background in fine art, and designs her own clothing line. She has been kind enough to answer some questions for Stitchworks, and to offer a free copy of her book for one reader. Read on to find out what you need to do to be eligible for the draw.

1. The splashes of colour in your book are lovely. I understand that you teach colour theory, which can be daunting, your illustrations and explanations are clear and make it a more approachable fun subject. Do you have your own favourite colour combination?

I love to use lots of bright colours but always like to tame them a bit with neutrals, tans and greys. I like my colors themselves to be a little off, so I mix the neutrals right into the dye to subdue them a bit, or I’ll use the neutrals alongside the brighter colors within a garment to make a more complex color palette.

2. Many people stick to one palette of colours and avoid others; are there any colours which you avoid?

I like a challenge, so I often try to work with colors that I have an arbitrary bias against, and figure out how to create something that I love. This may mean mixing a version that I like, or finding a new way of using the color alongside other colors that bring out its strengths or show it in a new light. Often the color that I originally didn't like but worked so hard to tackle turns out to be the universal favorite in a collection.

3. How would you spend a day in the studio, if you had no commitments other than to enjoy yourself?

Just playing around with new colors, techniques, and methods, and doing tests that don’t need to go anywhere specific. Most of my favorite things I've made have been the result of happy accidents!

4. I like the introduction to ‘Tie-Dye Around The World’ with its interesting illustrations and I wonder if there is a particular place or country which inspires your designs?

When I started dyeing fabric I wasn't looking at anything – historical or contemporary – and was specifically trying to get to know the technique within a vacuum so that I could figure out my own methods and aesthetic. Over time, especially after I began teaching and working on the book, I went very deep into historical research and found that there is an amazing wealth of techniques from all over the world, each with very different aesthetics that show a lot about the place where it comes from and the people who made it. My current favorites are the Berber tie-dyes, which are really free-form, abstracted and artistic; some feel like train of thought sketches while others are like abstract Rothko paintings.

5. Do you have any plans to teach or to visit the UK?

I would love to - someone please bring me out for a class!

To be included in the draw for a free book you need to comment here letting me know your favourite colour and one you usually avoid. I will make the draw at the start of October.

 Here are the other blogs participating in the Blog Tour:

Wednesday 11^th September – http://www.relovedmag.co.uk/

Thursday 12^th September – http://www.makeandcraft.com/blog/

Friday 13^th September – http://www.knitting-up-north.co.uk/

Monday 16^th September – http://www.cutoutandkeep.net/

Houses and Hideaways

Over on the Sketchbook Challenge blog the September theme is 'Houses and Hideaways', Jamie Fingal has written the first post and there will be added excitement around the accompanying blog hop which starts next Monday.

Here is a list of the Blog Hop participants:-

 September 9 - Gina Lee Kim http://ginaleekim.blogspot.com/

 September 10- Jacqueline Newbold http://djnewbold.blogspot.com/ 

 September 11 - Sue Bleiweiss http://www.suebleiweiss.com/blog  

September 12 – Jackie Bowcutt http://stitchworks-jackie.blogspot.com/

Sept 13th - Kristin La Flamme http://kristinlaflamme.com/musings  

Sept 14- Jane Davies http://janedavies-collagejourneys.blogspot.com/

Sept 15 Lyric Kinard http://lyrickinard.blogspot.com/

Sept 16 - Terry Grant http://www.andsewitgoes.blogspot.com/

Sept 17 Carol Sloan http://www.carolbsloan.blogspot.com/ 

Sept 18 Leslie Jenison http://leslietuckerjenison.blogspot.com/  

Sept 19 - Leslie Riley  http://www.lesleyriley.com/weblog/  

Sept 20 - Traci Bunkers  https://www.tracibunkers.com/blog/  

Sept 21 Lynn Krawczyk  http://smudgedtextilesstudio.com/blog/  

Sept 22 Desiree Habicht  http://myclothesline.blogspot.com

Sept 23 – Jamie Fingal http://jamiefingaldesigns.blogspot.com/  

Sept 24 - Mary Beth Shaw http://mbshaw.blogspot.com/ 

September 25 –Kari McKnight-Holbrook http://backporchartessa.blogspot.com/  

Sept 26 – Deborah Boschert http://deborahsjournal.blogspot.com/  

Sept 27 Susan Brubaker Knapp http://wwwbluemoonriver.blogspot.com/  

Sept 28  Laura Cater Woods http://www.cater-woods.com/weblog/  

Sept 29 Jane LaFazio http://janeville.blogspot.com/   

Working on samples for a Mark Making with Stitch Workshop.

Working on samples for a Mark Making with Stitch Workshop., a photo by stitchworks-jackie on Flickr.

Waiting for his Whiskers.

Over the weekend I have played with some of Anne Bagby’s techniques for printing paper. She uses bookbinder’s tissue paper and deli paper, neither of which I have, and prints directly onto the paper whereas, mostly, I adapted some of her ideas to use with the gelli plate.

 I liked her way of mixing colours to avoid  poster paint bright colours and she has some other good methods, in summary she is very professional, knows what she is talking about and her DVDs are packed with information. Basically I have just been having fun.

 I used drawing paper, copy paper and some baking parchment. I particularly liked the way of raising an image off the surface by gluing it onto fun foam.

Whiskers found:-