I then went to the Discovery Centre to ‘Quilt Secrets' a collection of quilts both traditional, from the County Council’s collection and contemporary work. I enjoyed the glimpses into peoples work boxes from the past and the work of Diana Harrison .Then in the same building ‘Tradition and Transition’ an exhibition of new work by the Winchester Embroiderers’ Guild.
What a feast but not finished yet – there are lots of charity shops in the city. Sometimes I wonder why I keep on looking at what is sometimes a lot of samey junk but this is what keeps me looking!
Priced at £2 because they couldn’t work out what it was – a lovely silk hankie and two face flannels, each velvet on one side. I looked up Wako/Japan today to find it is an exclusive department store in the ‘sophisticate city of Ginza’; specializing in luxury items. ‘Built in 1932, the curved building with a clock tower faces the Ginza Yonchome intersection and adopts a Neo-Renaissance style to its design.
The latest high-precision Seiko Quartz model is used as the clock for the clock tower and the Westminster-style chime of bellsring to tell the time on the hour every hour.' So two cities for the price of one!



I asked a dumb question about why we are advised to use Olive Oil Soap but at least I found out why, having always wondered. You get fewer suds, of course!!


I first made some prefelt, and then cut out shapes to lay on my base piece of felt.
I made a couple of beaded brooches with some of the prefelt. It was thicker than the previous piece I made so I ended up compacting more of the surface rather than pulling the felt together to give shape. This reminded me of some work on felt I did a long time ago where I added metallic powder mixed with Ormoline Fabric Medium to the shapes, so that’s what I did. A scarf like this would be really nice and tactile; I'll put that on my list. I'm off to the Knit and Stitch Show tomorrow, so no doubt I'll come back with lots of new ideas for my list.




This is a detail of a fern leaf I transfer printed and then stitched. I've no idea where the real thing is; I think I must have 'sold' or rather 'given it away' at a craft fair.
Not many people at the workshop, but very enjoyable as they produced some really experimental work.

I tied in tiny buttons to shape the edge and a piece of acquired dyed blanket for the top. So there you go. 
In a drawing class we took some hedgerow ‘shrubs’ apart and drew the leaves, the thorns, fruit, etc. It was so long ago that I have lost the original drawings but you get the idea.












I think I mentioned before that I paid to download a video lesson by Alisa and these are the results of using her graffiti style using my snow writing symbols.
The cotton had been mordanted in alum a long time ago; in fact when I gave up on the tempting idea of natural dyeing feeling that I didn’t really have enough space or energy. I have washed these pieces and the colour seems stable, although it may fade with time.
At the moment I am working on designs and samples for an evening class and two creative textile workshops I hope to run starting in September. The evening class will be about using Ethnic textiles as a design source for an embroidered panel. A lot of work if not enough people sign up for them to run but it keeps me busy. The classes and workshops will be at The Hurst Community College near Tadley, Hampshire (0118 9811611).

As you see the beads are made from book pages .I then hand stitched with some slips of silk added in places. The symbols were the starting point and also looking at samples from the past in which I had stitched and included paper beads. I will post pictures of the samples next time. Sometimes its hard to remember where you started and keep track of how ideas come together; and equally of how they disappear at other times.